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Meursault is a detached figure who views and describes much of what occurs around him from a removed position. He is emotionally indifferent to others, even to his mother and his lover, Marie.
He also refuses to adhere to the accepted moral order of society. Consequently, society brands him an outsider. Read an in-depth analysis of Meursault. Marie is young and high-spirited, and delights in swimming and the outdoors.
Even when Meursault expresses indifference toward marrying her, she still wants to be his wife, and she tries to support him during his arrest and trial. Read an in-depth analysis of Marie Cardona.
Raymond seems to be using Meursault, whom he can easily convince to help him in his schemes. However, that Raymond tries to help Meursault with his testimony during the trial shows that Raymond does possess some capacity for loyalty.
Read an in-depth analysis of Raymond Sintes. Meursault identifies with his mother and believes that she shared many of his attitudes about life, including a love of nature and the capacity to become accustomed to virtually any situation or occurrence.
Most important, Meursault decides that, toward the end of her life, his mother must have embraced a meaningless universe and lived for the moment, just as he does.
After Meursault is found guilty of premeditated murder and sentenced to death, he repeatedly refuses to see the chaplain. The chaplain visits Meursault anyway, and nearly demands that he take comfort in God.
Eventually, Meursault becomes enraged and angrily asserts that life is meaningless and that all men are condemned to die. Perez, as someone who expresses his love for Madame Meursault, serves as a foil the indifferent narrator.
However, by raising the issue, the director implies that perhaps Meursault has done something wrong. When Meursault goes on trial, the director becomes suddenly judgmental. Celeste remains loyal to Meursault during his murder trial. He testifies that Meursault is an honest, decent man, and he states that bad luck led Meursault to kill the Arab.
Salamano owns an old dog that suffers from mange, and he frequently curses at and beats his pet. However, after Salamano loses his dog, he weeps and longs for its return. The crime is apparently motiveless—the Arab has done nothing to Meursault.Meursault: Man or Monster?
Religion in “the Stranger” According to the absurdist, religion is constructed by man in an attempt to create meaning to a senseless existence - Meursault: Man or Monster?Religion in “the Stranger” introduction.
Acceptance of religion, of the possibility of an afterlife, would mean that man effectively escapes death. Meursault's dinner with Raymond: a Christian theme in Albert Camus's L'Etranger.
Albert Camus (—) Albert Camus was a French-Algerian journalist, playwright, novelist, philosophical essayist, and Nobel laureate.
Though he was neither by advanced training nor profession a philosopher, he nevertheless made important, forceful contributions to a wide range of issues in moral philosophy in his novels, reviews, articles, essays, and speeches—from terrorism and.
As most readers of Albert Camus's masterpiece, L'Etranger [The Stranger] are aware, Camus conceived his protagonist Meursault as a type of Christ figure. News and an analysis of harley davidson background analysis on legal An analysis of change and continuity in pre industrial britain developments including litigation filings, case settlements, verdicts, regulation, enforcement, legislation, corporate deals, a religious analysis of mersault in light of his atheism and a comparison of the.
Acceptance of religion (and of the possibility of an afterlife) would mean that man effectively escapes death. Absurdists think this is a super-destructive belief, because only the realization and acceptance of impending death allows man to live to his fullest.